UNITL 2 OCTOBERUNITL 2 OCTOBERLorem ipsum dolor sit amet, consectetur adipiscing elit.Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Curated by Mario RossiCurated by Mario RossiOrganized by John DoeOrganized by John DoeJane SmithJane Smith

Fondazione Emilio Scanavino
Fondazione Emilio Scanavino
Piazza Aspromonte 17, Milano (MI), Italy
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
The Emilio Scanavino Foundation and the Alik Cavaliere Art Center, in collaboration with Ida Pisani's Prometeogallery, present the restaging of Omaggio all'America Latina (1971), the monumental work conceived by Cavaliere and Scanavino for the 11th São Paulo Biennial, with the performance "Homage to Latin America – VEILING" by Regina José Galindo on the occasion of Milan Art Week 2026. More than fifty years after its diplomatic exclusion, the work returns to center stage not as a historical document, but as a living presence. The project does not merely exhibit a masterpiece of the late 20th century: it reactivates it through dialogue with a performance by Regina José Galindo, one of the most radical and recognized figures in international contemporary art.
Fondazione Emilio Scanavino
Piazza Aspromonte 17, Milano (MI), Italy

Fondazione Emilio Scanavino
Fondazione Emilio Scanavino
Piazza Aspromonte 17, Milano (MI), Italy
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
Performance
Tuesday, Apr 14, 2026: 5:00 – 6:00 PM
The Emilio Scanavino Foundation and the Alik Cavaliere Art Center, in collaboration with Ida Pisani's Prometeogallery, present the restaging of Omaggio all'America Latina (1971), the monumental work conceived by Cavaliere and Scanavino for the 11th São Paulo Biennial, with the performance "Homage to Latin America – VEILING" by Regina José Galindo on the occasion of Milan Art Week 2026. More than fifty years after its diplomatic exclusion, the work returns to center stage not as a historical document, but as a living presence. The project does not merely exhibit a masterpiece of the late 20th century: it reactivates it through dialogue with a performance by Regina José Galindo, one of the most radical and recognized figures in international contemporary art.
Fondazione Emilio Scanavino
Piazza Aspromonte 17, Milano (MI), Italy